Sunday, 20 December 2015

Merry Christmas illustration...

Merry Christmas!

In September the House of Illustration in London, asked if I would contribute to their  advent calendar this year. Laura Carlin illustrated the front and I had great fun creating this illustration of a dog sledging for day 14. I have to admit as soon as I received the calendar I couldn't resist peeping at the wonderful images  created by some very talented children's book illustrators! 




   Wishing you a very happy and fulfilling 2016!

Polly Noakes Illustration


Sunday, 22 November 2015

Sketches on a train...

Last week I spent a day out of jeans and muddy wellies, put on my smart clothes, left my husband in charge of our new dog- the scruff bag Bertie and went to London to meet my agent Elizabeth Roy.  I sat tentatively as she expertly scanned my text for a baby board book series. 
It was a great meeting, I always enjoy our get togethers, then she said seriously  “I would like four of these as dummies before Christmas”.


“Before Christmas!”, she called out again firmly with a smile, as we waved goodbye. 

I can see I will be failing miserably at creating the perfect, festive abode and food. Not to  mention the Christmas shopping… 
Anyway moving on swiftly... here are  some very rough ideas/sketches  I did on the train home, squashed between sneezing fellow commuters.  Needless to say new dog Bertie and his muddy embraces feature too... do take a peep at him at the bottom of the page! 





Thursday, 22 October 2015

Creating a bear Illustration and memories too...




This is a tiny corner of a picture book project I have been working on with the experienced eye of a children's book editor. 
Like certain pieces of music can evoke  memories, the textures I created by hand for this illustration will always remind me of my current home and 2015. Our old, scarred chopping block  made the tree hollow. A clay disc by potter Johnathon Garret I bought 17 years ago and which survived tribes of kids playing in the garden created the bears fur. The weathered 80 year old shed doors (keeping the shed up!)  and a rushmatting door mat created the trees. Everything I have used to create texture using wax crayons, graphite and inks has a story and a practical  use.

I travel back in time to Cambridge 1990  whenever  I hear the evocative Koln concert by Keith Jarrett and the beginning of a romance.  And  I will look at this illustration in years to come and remember how much I disliked chopping the logs! 













Wednesday, 10 June 2015

What's the most musical part of a fish?


I always enjoy starting a new story.
Recently I went to the Bournemouth Oceanarium to sketch characters for my new picture book,  a fishy tale set in the Indian Ocean. Luckily they had a model for the little chap who is the central character- an Angelfish. Not the easiest fish to draw as they move very quickly! 



After many, many edits and my wonderful agent Elizabeth Roy pruning words further, she then gave me the thumbs up. So now its all systems go and June will be spent creating thumbnails, working on the structure, pacing and then some artwork. Here are some rough sketches pondering various layouts. 



The one downside of this early part of the process is I can’t listen to anything - (except the Archers!) as it interferes with my thinking process. It can be an intense time.. so writing my blog is a nice distraction!  Needless to say, I wont be making fish pie for a while……. another downside of getting to know some of the beautiful creatures in the ocean! 

Oh, here is the answer to the joke in the heading- their scales! 




Saturday, 28 March 2015

Fifteen  copies of my dummy books made and three X portfolios later - yes it must be the Bologna Children's Book Fair.


Here, book deals are brokered, international editions sold and hundreds of illustrators hawk their portfolios around to show art directors.

Luckily for me my work will be on the Cambridge School of Art stand, run by our fantastic tutors Pam Smy and Marta Arltes. Their diaries are full as word of the MA continues to spread amongst the industry.



Along with projects I created for my Masters, I have meetings to discuss new picture book ideas too. Below is a character sketch (one of many) from a new project about a girl and her dog Boris.
Right, I better pack!






Sunday, 14 December 2014

End of the year... new times ahead.




Here is a little section of new work I did yesterday  ... don't ask why she has a frog on her head! And a monkey character  from a picture book I recently wrote.


I am due to graduate soon from the  MA in Children’s Book Illustration at Cambridge School of Art. It’s been a wonderful two and a half years of rediscovering illustration again, after I took a rather long break from it in 2001.

Back then I was represented by Linda Rogers (Associates) who has  since retired.  She took me on soon after graduating  from the same art school. I can still remember my excitement and buzz  from that meeting. So here I am today, reliving that buzz and excitement as I prepare for our graduation show in London in February and then onto the Bologna Children’s Book Fair!

I work in a totally new way now, using lots of texture but you can still see the same characters peeping from the pages. Whilst updating my website last night, I found my old work from the last century! So for fun here it is.  
Looking back I realise how lucky I was to work with authors such as Mary Hoffmann, Edward Blishen, Fiona Kennedy (now publisher of Orion), Dr Pete Rowan to name a few  and some great editors and publishers too.  (click on the images to enlarge)

USA cover.




















Sally sky Diver (J.M Dent/Orion)

(The Amazing Voyage of  a Cucumber Sandwich, J. Cape)

But for now it’s a beautiful crisp cold morning herein the UK , reminding me I must somehow squeeze  Christmas in as I work 24/7 finishing the MA. Fortunately I love what I do and feel so lucky to be tutored by Prof Martin Salisbury and Pam Smy plus the wonderful part time tutors up in Cambridge. 

Have a lovely Christmas and New Year.

Monday, 18 August 2014

'Creativity requires the courage to let go of certainties' Erich Fromm



It has  been a  busy August  so far.  I set this month aside to  experiment with my work and not worry about  creating an end result.  Over the two years on the MA in Children’s Book Illustration at Cambridge School of Art,  my work has slowly shifted under the expert guidance of my tutors.  However, I knew there was still room for  many further changes and picking strawberries kicked started yet another  process!


The fear of letting go of a tried and tested way of creative working can be very frightening, especially  if it has defined one and also led to past success.

When I returned to illustration after years away from it, I was certain I didn’t want to continue working in my old ‘style’ apart from the fact it was dated, it didn’t excite or challenge me. A comfortable way of working can easily become stagnant or a  security that makes us feel less vulnerable. But  playing safe can  also be controlling and self limiting. This is something that really came to light over the last two years on the MA.  It is so easy to become self restricting  due to fear, comfort or fashion.
My comfort has always been my use of line, generally loose and spontaneous.   I have really struggled to completely let go of it but I think the time has finally come to let it evolve or even  say   “ farewell”… well for now!  It comes to me so naturally but equally I am tired by it. I wanted to try something different – so with a week to myself   I set about immersing myself in my work and seeing where it took me. (click on the images below to enlarge)



It was a brilliant week working mainly in collage, creating my own textured papers, cutting, ripping, sticking and layering.  This little cat above being my first image and some of the many leaves created, below.




I loved working  directly with the materials – never knowing what would happen- accidents became interesting ones!  The various papers and patterns shouted out to me how best to use them. I was kept curious and wondering.

 A snippet of a water scene with a croc! 



Often working late into the  night and up early to continue, I was utterly absorbed and energised. It’s a process still in its infancy and I am fathoming out various conundrums. However I feel totally liberated and ignited by the leaps made. I leant so much about what does keep me interested in my working processes and what doesn’t- playing safe doesn't!
I have always needed spontaneity and change in my life or I feel stagnant. The same goes for my illustration work.. as the American author Alan Watts says  ....
“The only way to make sense out of change is to plunge into it, move with it, and join the dance.”

Time to boogie!  


                                                          monkey doodle with collage